real-sound

The soundtrack is built ONLY from real, professionally recorded or produced audio (one licensed music track, real foley and SFX, real ambiences), placed on the picture's cue frames by a deterministic mixer, measured instead of listened to, critiqued through five lenses, fixed by one agent, mastered, credited and muxed.

Freesound (CC0 / CC BY; HQ preview `cdn.freesound.org/previews/<id//1000>/<id>_<user>-hq.ogg`), Mixkit (WAV `assets.mixkit.co/active_storage/sfx/<id>/<id>.wav`), composer libraries for music; licences read on each item's own page (`references/licences.md`); polite sequential downloads; every file measured:

| 0. cue list | lead | `out/cues.json` | sync frames computed from the picture code | | 1. brief | lead | `audio/SOUND_BRIEF.md` | every cue has a sound need (or "nothing") | | 2. sourcing (per category, parallel) | sourcing agents | `audio/assets/<cat>/`, manifests | each file measured + earshot `realness` "real or pro-produced" on the trim used (an "uncertain" only with its evidence and a trim-level re-check written in the manifest) | | 3. licence audit | auditor | `audit.json` | `audit.py` exit 0 for what the film uses | | 4. music edit | music supervisor | `audio/design/music.json` | grid verified, drop on the reveal, splices clean | | 5. design fragments (per category, parallel) | designers | `audio/design/<cat>.json` | solo render + qa clean | | 6. integrate | lead | soundtrack, stems, report, trace | master gate (+-0.5 LU, <= -1.5 dBTP) | | 7. QA + listening | lead | `out/qa/qa.json`, earshot timeline / sheet / critique | no qa fail | | 8. critique (5 lenses, parallel, read-only) | critics | ranked issues + tested operations | | | 9. fix | ONE fixer | the design | qa: no regression | | 10. master, credits, mux | lead | `CREDITS.md`, description text, the film | credits exit 0, lag 0 |